The National Museum of Poznań will hold Poland's first original exhibition of works by Kenya Hara, one of the world's most highly acclaimed Japanese designers.

At her age of sixty-four years, is Barbie a feminist? "I think she has been one all along!", replies Aleksandra Podżorska, curator of the Barbie: The Unknown Face exhibition in an interview with Agnieszka Nawrocka.

The name of this one of Poland's greatest vocal divas speaks for itself. And it gets even better as this remarkable artist will appear in Poznań with equally excellent accompanists, sharing the stage with the Andrzej Jagodziński Quartet!

Hidden in the cosy space of a castle wing, the exhibition offers quiet time in which to face oneself and reflect on the questions posed. Not only the questions coming from its creator, Magda Hueckel, but also those that arise in the viewers' minds as they are confronted with her work. Hueckel draws on her personal experience to describe female strength, the natural course of life, being oneself and staying completely unfettered.

On the first Sunday of March prior to Women's Day, the Amadeus Orchestra will serve a true musical feast.

Most likely well remembered by the Poznań folk music audience, this band gave a wonderful, warmly applauded concert during the Ethno Port festival four years ago. This time around, Laboratorium Pieśni will visit the capital of Wielkopolska to promote its latest soon-to-be released album Hé oyáte.

After years of preparations, long awaited by fans and tourists, the Lech Poznań Museum has finally had its opening.

Through direct references to the tragic history of Lake Rusałka, known as Elsensee during the German occupation, the artists pay homage to the builders of the lake, primarily Jewish prisoners, subjected to starvation, torture, and slave labour beyond human endurance.

Carmen from George Bizet's opera by the same name remains one of the most iconic operatic characters. For some, she is a seductive femme fatale, for others an emancipated, self-aware woman, for others yet a character entangled in patriarchal rules embodied by her lover. How many faces does she really have?

A composition that captivates audiences with its lyricism and subtlety, and another that movingly echoes tragic memories, the former authored by an artist celebrated as Poland's most prominent composer, the latter written by a musician who despite being merely an up-and-coming artist, was held in high esteem by Shostakovich. These very different masterpieces of Polish symphony music of recent decades will be performed by the Wielki Theatre Orchestra conducted by maestro Jacek Kaspszyk.