Culture in Poznań

Culture

A sense of surprise, anxiety and delight will grip you on entry. White, nude life-size figures bending down in despair line both sides of the arcaded courtyard of the Lubrański Academy. This is how Grzegorz Niemyjski portrays Lamentations, a Jewish prayer at the Wailing Wall.

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To say that summer music festivals have been hanging in the balance is a huge understatement. Their organisers have been forced to quickly adapt to new circumstances. Some chose to postpone their events until 2022, others opted to sign exclusively Polish artists. The winners were those who, from the very get-go, based their programmes on Polish line-ups. Such was the case of Enea Edison Festival. This year's edition of this two-day event is set to kick off on 23 July in Baranowo near Poznań.

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Krzysztof Zalewski, sanah, Katarzyna Nosowska, and Jazz Band Młynarski-Masecki are just some of the stars of the Summer Sounds series to be kicked off this year by Kwiat Jabłoni's performance in Old Brewery Park on the last Friday of June.

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When lovely Woman stoops to Crinoline,

she ceases to be Woman, and becomes a Monster.

"Crinoline for Gentlemen". Punch, 31st October 1857, 183.

Crinoline was a truly vital part of the clothing of nineteenth-century upper-class women. Their distinctive bell-shaped dresses supported on metal cages or whalebone petticoats can easily be spotted today in numerous period paintings, early photographs and costume movies. The trend, which originated in the 1840s, ran strong until the 1860s when dresses gradually grew flatter at the front and on the sides while being more protruding in the back, decorated lavishly with successive layers of fabric.

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Poland's biggest celebration of animated cinematography: the 14th International Animator Animated Film Festival in Poznań, is scheduled to take place on 9-15 July.

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This year's Malta festival is going to comprise predominantly outdoor events, which is good news for all those who have dreamed to see it return to the original formula of open street theatre that gets intimate with its audience. And yet, the Festival will continue to cater to all those who have followed its Idioms, or leitmotivs, over the years, that identify and reflect key trends in contemporary theatre. This year's edition reconciles both visions.

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As soon as 18 June, the winner of this year's Konkurs 30/30 (30/30 Contest) for the best album sleeve art of 2020 will be announced. This will also be the first day of the post-contest exhibition, scheduled to remain open until the end of July.

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